Skip to main content


TIMON OF ATHENS
Timon of Athens is one of those longtime “underrated”  plays by Shakespeare and Thomas Middleton, one that everyone comments they have never seen before.
Simon Godwin’s directs this stunning production of a tale worth telling, most befitting of our money driven time.
There are two sides to every coin, and in this parable that revolves around money there are two sides to Timon, the main character.  
In a dream world, Timon lavishes gold and gifts to buy friendships and fun.  One day the money’s gone and so are all the friends that money can buy.  Trading her golden bejeweled costumes, Timon dons rags, retreating from bright lights, to living in a dark cave. 
Kathryn Hunter (the first British woman to play King Lear, as well as other classical male roles)  stars as Timon. Hunter brings out the humanity in this strong yet vulnerable character who goes from happy party girl to crazed homeless misanthrope. Having seen Timon of Athens  before, with a male actor, there is no doubt in my mind, that Hunter, owns the role of Timon in our time.   
Unforgettable -  Soutra Gilmour’s gorgeous sets and costumes, Donald Holder’s handsome lighting,  Michael Bruce’s music, played by an onstage band and sung by Kristen Misthopoulos. 
Timon of Athens, a tale of riches to rags,  a treasury of wisdom.
At the Shakespeare Theatre, Washington DC,  until March 22, 2020. 

Popular posts from this blog

  Once is here again!   The Brooklyn Gallery Players reach into the treasure chest of great musicals to bring Once alive and on stage in Brooklyn (until to December 17, 2023). Director Mark Gallagher , and Music Directors David Fletcher and Brendon McCray have crafted a vibrant production, seamlessly integrating the 15 member cast in roles  as both actors and musicians. Set in Dublin, the  formula for the poignant love triangle  is simple. Patrick Newhart  plays Guy, an Irish musician who has given up  on love as he sings the award winning classic  Falling.  Newhart mastered the bombastic busking guitar style and performed each of his songs with intensity and passion Sophie Smith-Brody  is Girl,  a Czech woman  who will inspire him to try again both in  love and with music. Smith-Brody performed each of her disparate songs with aplomb,  from the opening classical piece to her plaintive solos – If You Want...
  Sarah Ruhl’s Orlando — sparkling wit and ageless wisdom —   at   Constellation Theatre — gone but not forgotten In Virginia Woolf’s Orlando A Biography ,  the eponymous hero undergoes many changes over the centuries— from roles in society and relationships to sex change.  Since the time travel gender bending work was published in 1928, this his/her story has continued to undergone adaptions to its original form, from analytical scholarly critiques to crowd pleasing  movies and stage plays.  Constellation Theatre Company continued  the tradition with its amazing presentation of Sarah Ruhl’s narrative play Orlando .    Five actors  take on dozens of roles as characters or in the  chorus to keep the story at its rapid pace,  condensing events spanning almost five centuries into 100 minutes.   Orlando (Mary Myers) is  ever the aristocrat whether as a page in the court of  Queen Elizabeth I (Alan Naylor)...
From EUGENE ONEGIN  to  DER ROSENKAVALIER  (Or Everything you want to know about love is at the MET OPERA) Great music and great literature meet on a great stage at the Met Opera’s production of Eugene Onegin on the big screen on April 25, 2017.  The words are Pushkin’s from his  Russian novel-poem.  The music is by Tchaikovsky  for what he termed “lyrical scenes.” Tchaikovsky’s music is forever embedded in our consciousness  with his fantasy ballets like  Nutcracker   and Swan Lake .   Pushkin’s work has provided the inspiration for dozens of musical works, including another famous Russian opera, Boris Godunov.     This team of Tchaikovsky and Pushkin is a sure thing but while there are many scholarly interpretations of Pushkin’s work, there is none that so gets it at its core as this opera. Using the very words from Pushkin’s poem,  Tchaikovsky built the opera through a series of powerful co...