Skip to main content
THE WAY OF THE WORLD

You can take the characters out of their place in Restoration high society, but you can’t get rid of the sex, lies and luxury that goes along with them.  

That is what Theresa Rebeck has done with William Congreve’s great Restoration comedy, which she has freely adapted and directed, and is now playing at the Folger Theatre.

The staging is stunning, set in the boutique beach setting of the Hamptons in summer—an envious spot to be in but particularly now in the midst of Washington’s blustery windy winter.  



 Kristine Nielsen is simply smashing as Aunt Rene, who knows the numbers—whether it is the $600 million dollars of her niece Mae has inherited (played by a believable altruistic Eliza Huberth) or the convincingly inconstant wanna be husband Henry  (Luigi Sottile).

The klatch of their friends who tell it as it is—that is gossip and scandal of course—include Brandon Espinoza as Charles , Elan Zafir as Reg, Erica Dorfler as Katrina, and Daniel Morgan Shelley as Lyle.  Ashley Austin Morris is the  summer time waitress who tells the audience everything else.

The original play is  300 years old, and an object d’arte  that winds through the plot  is a treasured heirloom that had been stolen and recovered.  The Way of the World might be a show of the extreme of wretched excess of consuming goods,  but it also shows that one treasure can be re-discovered.  And while  love does not win over all,  true lovers learn to get a long with it all as that is the way of the world.

The celebrated creative team includes Tony Award® nominee Alexander Dodge (scenic design), Tony Award® winners Linda Cho (costume design) and Donald Holder (lighting design), and M.L. Dogg (sound design). 

And yes, we all want to go shopping with them!

 The Way of the World  is part of The Women’s Voices Theatre Festival.  
Now on stage at Folger Theatre from January 9 through February 11, 2018. 
Folger Theatre Box Office at (202) 544-7077 / online at www.folger.edu/theatre. 



Popular posts from this blog

  Once is here again!   The Brooklyn Gallery Players reach into the treasure chest of great musicals to bring Once alive and on stage in Brooklyn (until to December 17, 2023). Director Mark Gallagher , and Music Directors David Fletcher and Brendon McCray have crafted a vibrant production, seamlessly integrating the 15 member cast in roles  as both actors and musicians. Set in Dublin, the  formula for the poignant love triangle  is simple. Patrick Newhart  plays Guy, an Irish musician who has given up  on love as he sings the award winning classic  Falling.  Newhart mastered the bombastic busking guitar style and performed each of his songs with intensity and passion Sophie Smith-Brody  is Girl,  a Czech woman  who will inspire him to try again both in  love and with music. Smith-Brody performed each of her disparate songs with aplomb,  from the opening classical piece to her plaintive solos – If You Want...
  Sarah Ruhl’s Orlando — sparkling wit and ageless wisdom —   at   Constellation Theatre — gone but not forgotten In Virginia Woolf’s Orlando A Biography ,  the eponymous hero undergoes many changes over the centuries— from roles in society and relationships to sex change.  Since the time travel gender bending work was published in 1928, this his/her story has continued to undergone adaptions to its original form, from analytical scholarly critiques to crowd pleasing  movies and stage plays.  Constellation Theatre Company continued  the tradition with its amazing presentation of Sarah Ruhl’s narrative play Orlando .    Five actors  take on dozens of roles as characters or in the  chorus to keep the story at its rapid pace,  condensing events spanning almost five centuries into 100 minutes.   Orlando (Mary Myers) is  ever the aristocrat whether as a page in the court of  Queen Elizabeth I (Alan Naylor)...
From EUGENE ONEGIN  to  DER ROSENKAVALIER  (Or Everything you want to know about love is at the MET OPERA) Great music and great literature meet on a great stage at the Met Opera’s production of Eugene Onegin on the big screen on April 25, 2017.  The words are Pushkin’s from his  Russian novel-poem.  The music is by Tchaikovsky  for what he termed “lyrical scenes.” Tchaikovsky’s music is forever embedded in our consciousness  with his fantasy ballets like  Nutcracker   and Swan Lake .   Pushkin’s work has provided the inspiration for dozens of musical works, including another famous Russian opera, Boris Godunov.     This team of Tchaikovsky and Pushkin is a sure thing but while there are many scholarly interpretations of Pushkin’s work, there is none that so gets it at its core as this opera. Using the very words from Pushkin’s poem,  Tchaikovsky built the opera through a series of powerful co...