Skip to main content

NUMBERS NERDS IS A WINNER!

AT  NEW YORK MUSICAL FESTIVAL 2017

Here’s a math problem for you:

Take four fine actors:  Danielle Davila (Mary Kate), Madison Kauffman (Barbie), Maisie Rose (Melissa) and Tiffany Tatreau (Amber) as the Math team in a formerly all-girls Catholic school.

Add: Jake Morrissy (Leroy) as the new guy in school to join the team and Sharon Sachs (Ms. McGery) as the adult to move it along.

Multiple them with the pressures  of winning a prestigious math tournament in this  1 book/story ( Laura Stratford and Larry Little)  +  music ( by David Kornfeld and Dylan MarcAurele)  + lyrics ( Alex Higgin-Hauser) 

And what do you have on the other side of the equation but  NUMBERS NERDS. 

This show at the New York Musicale Festival  overflows with positive vibrations from the singing and dancing.

But what is this thing about numbers?  

If you saw HIDDEN FIGURES, that success of a  film on women who despite obstacles through superior talent for math made a significant impact on the success of the space program, you might say, well it is important to get the math right.

NUMBERS NERDS takes that idea further — What numbers can mean in a life.  Each of the four high school girls has a love of math with a reasons for her pursuit  as individual as she is.  They are a math team determined to win but also at odds with each other.  How they work that problem out is how they add up together in teamwork.   

The opening number “This Is Gonna Be My Year” sums it up— This is going to be the year for NUMBERS NERDS!

Popular posts from this blog

  Once is here again!   The Brooklyn Gallery Players reach into the treasure chest of great musicals to bring Once alive and on stage in Brooklyn (until to December 17, 2023). Director Mark Gallagher , and Music Directors David Fletcher and Brendon McCray have crafted a vibrant production, seamlessly integrating the 15 member cast in roles  as both actors and musicians. Set in Dublin, the  formula for the poignant love triangle  is simple. Patrick Newhart  plays Guy, an Irish musician who has given up  on love as he sings the award winning classic  Falling.  Newhart mastered the bombastic busking guitar style and performed each of his songs with intensity and passion Sophie Smith-Brody  is Girl,  a Czech woman  who will inspire him to try again both in  love and with music. Smith-Brody performed each of her disparate songs with aplomb,  from the opening classical piece to her plaintive solos – If You Want...
  Sarah Ruhl’s Orlando — sparkling wit and ageless wisdom —   at   Constellation Theatre — gone but not forgotten In Virginia Woolf’s Orlando A Biography ,  the eponymous hero undergoes many changes over the centuries— from roles in society and relationships to sex change.  Since the time travel gender bending work was published in 1928, this his/her story has continued to undergone adaptions to its original form, from analytical scholarly critiques to crowd pleasing  movies and stage plays.  Constellation Theatre Company continued  the tradition with its amazing presentation of Sarah Ruhl’s narrative play Orlando .    Five actors  take on dozens of roles as characters or in the  chorus to keep the story at its rapid pace,  condensing events spanning almost five centuries into 100 minutes.   Orlando (Mary Myers) is  ever the aristocrat whether as a page in the court of  Queen Elizabeth I (Alan Naylor)...
From EUGENE ONEGIN  to  DER ROSENKAVALIER  (Or Everything you want to know about love is at the MET OPERA) Great music and great literature meet on a great stage at the Met Opera’s production of Eugene Onegin on the big screen on April 25, 2017.  The words are Pushkin’s from his  Russian novel-poem.  The music is by Tchaikovsky  for what he termed “lyrical scenes.” Tchaikovsky’s music is forever embedded in our consciousness  with his fantasy ballets like  Nutcracker   and Swan Lake .   Pushkin’s work has provided the inspiration for dozens of musical works, including another famous Russian opera, Boris Godunov.     This team of Tchaikovsky and Pushkin is a sure thing but while there are many scholarly interpretations of Pushkin’s work, there is none that so gets it at its core as this opera. Using the very words from Pushkin’s poem,  Tchaikovsky built the opera through a series of powerful co...