Skip to main content

DON'T MISS THE INTERMISSIONS AT THE MET SIMULCAST



What is on the stage at an opera is supposed to be grand. Save the personal chat for  the Intermission.  

But the Met Simulcast production of Il Trovatore blurred that boundary when Dmitri Hvorostovsky came on stage at the Met  this past October.

The audience clapped and cheered until Dmitri finally broke from his villainous baritone role of Count di Luna,  and let his sexy grin slip through.  The celebration was over his presence on stage while undergoing treatment for a brain tumor.  The curtain call on the production was also fabulous with flowers pelting the stage for Dmitri.

The intermissions brought  added touches of the personal when Anna Nebrebko introduced her adorable son (who was asking his mom when were they going home.)  

Dolora Zajick, whose  her first appearance  as Azucena was 25 years, with Pavarotti as Manrico, was asked what was that like? She answered, “I lived.”

So it continues—   these spots in a Met Simulcast, that go behind the scenes during intermission, opera notes enhancing  for newbies and enchanting  the diehard fans. 

I know a  review of an opera should be about the performance itself.  How did it measure up as a work of art and its production execution?   While details of the set and stage are certainly worth noting, what Met Simulcast does is take you behind the scenes during the intermission and show you what is involved, sometimes with the director or costume
designer or set crew being interviewed.

  It is one thing to read a  review that it is all pretty impressive.   But if you believe that writers should “show not tell’ — It is possible for you to see for yourself during these Intermission highlights.   

So that said,  what do you  talk about in intermission?

WANT TO KNOW MORE -DATES FOR  2016:

Bizet Les Pêcheurs de Perles (January 16)
Puccini Turandot (January 30)
Puccini Manon Lescaut (March 5)
Puccini Madama Butterfly (April 2)
Donizetti Roberto Devereux (April 16)
Strauss Elektra (April 30)
 All live events take place on Saturdays. Starting times vary with each performance but are usually between noon and 12;55. In addition to the live events, “Encore” (rerun) broadcasts maybe be added at later dates. 

  Tickets available online via FathomEvents.com or at the participating theater box office, 

Popular posts from this blog

  Once is here again!   The Brooklyn Gallery Players reach into the treasure chest of great musicals to bring Once alive and on stage in Brooklyn (until to December 17, 2023). Director Mark Gallagher , and Music Directors David Fletcher and Brendon McCray have crafted a vibrant production, seamlessly integrating the 15 member cast in roles  as both actors and musicians. Set in Dublin, the  formula for the poignant love triangle  is simple. Patrick Newhart  plays Guy, an Irish musician who has given up  on love as he sings the award winning classic  Falling.  Newhart mastered the bombastic busking guitar style and performed each of his songs with intensity and passion Sophie Smith-Brody  is Girl,  a Czech woman  who will inspire him to try again both in  love and with music. Smith-Brody performed each of her disparate songs with aplomb,  from the opening classical piece to her plaintive solos – If You Want...
Read more
  Sarah Ruhl’s Orlando — sparkling wit and ageless wisdom —   at   Constellation Theatre — gone but not forgotten In Virginia Woolf’s Orlando A Biography ,  the eponymous hero undergoes many changes over the centuries— from roles in society and relationships to sex change.  Since the time travel gender bending work was published in 1928, this his/her story has continued to undergone adaptions to its original form, from analytical scholarly critiques to crowd pleasing  movies and stage plays.  Constellation Theatre Company continued  the tradition with its amazing presentation of Sarah Ruhl’s narrative play Orlando .    Five actors  take on dozens of roles as characters or in the  chorus to keep the story at its rapid pace,  condensing events spanning almost five centuries into 100 minutes.   Orlando (Mary Myers) is  ever the aristocrat whether as a page in the court of  Queen Elizabeth I (Alan Naylor)...
Read more
From EUGENE ONEGIN  to  DER ROSENKAVALIER  (Or Everything you want to know about love is at the MET OPERA) Great music and great literature meet on a great stage at the Met Opera’s production of Eugene Onegin on the big screen on April 25, 2017.  The words are Pushkin’s from his  Russian novel-poem.  The music is by Tchaikovsky  for what he termed “lyrical scenes.” Tchaikovsky’s music is forever embedded in our consciousness  with his fantasy ballets like  Nutcracker   and Swan Lake .   Pushkin’s work has provided the inspiration for dozens of musical works, including another famous Russian opera, Boris Godunov.     This team of Tchaikovsky and Pushkin is a sure thing but while there are many scholarly interpretations of Pushkin’s work, there is none that so gets it at its core as this opera. Using the very words from Pushkin’s poem,  Tchaikovsky built the opera through a series of powerful co...
Read more