Skip to main content

              TINA - THE TINA TURNER MUSICAL 

at The National Theatre 

           

In the 1970s, I  had spent weeks climbing around ruins in Peru.  I heard music of the Andes all over.  I  was  finally at  Machu Picchu to spend the night so I could get up early  and climb to see the sunrise from the top of the ruins.   As I got to steps by the gatekeepe,  I could hear his boom box blaring across the Andes “I Wanna Take You Higher”  by Tina Turner.  


You don’t have to go climbing the Andes to hear her songs —Tina-The Tina Turner Musical  isright here  at the National Theatre, Washington DC,  until  Oct. 23, 2022.   


The show has broken all records with the awards it has received since in premiered in April 2018 in London.  No one questions that Tina is a musical legend but  for this show  accolades to  the stars Naomi Rodgers and Zurin Villanueva who alternate in the  spectacular role.  


At every performance there will be people  who remember seeing Tina “back when” and for which this is a very special event to  see  TINA, a  show which celebrates  what becomes a legend -  in her own songs. 

Popular posts from this blog

  Once is here again!   The Brooklyn Gallery Players reach into the treasure chest of great musicals to bring Once alive and on stage in Brooklyn (until to December 17, 2023). Director Mark Gallagher , and Music Directors David Fletcher and Brendon McCray have crafted a vibrant production, seamlessly integrating the 15 member cast in roles  as both actors and musicians. Set in Dublin, the  formula for the poignant love triangle  is simple. Patrick Newhart  plays Guy, an Irish musician who has given up  on love as he sings the award winning classic  Falling.  Newhart mastered the bombastic busking guitar style and performed each of his songs with intensity and passion Sophie Smith-Brody  is Girl,  a Czech woman  who will inspire him to try again both in  love and with music. Smith-Brody performed each of her disparate songs with aplomb,  from the opening classical piece to her plaintive solos – If You Want...
  Sarah Ruhl’s Orlando — sparkling wit and ageless wisdom —   at   Constellation Theatre — gone but not forgotten In Virginia Woolf’s Orlando A Biography ,  the eponymous hero undergoes many changes over the centuries— from roles in society and relationships to sex change.  Since the time travel gender bending work was published in 1928, this his/her story has continued to undergone adaptions to its original form, from analytical scholarly critiques to crowd pleasing  movies and stage plays.  Constellation Theatre Company continued  the tradition with its amazing presentation of Sarah Ruhl’s narrative play Orlando .    Five actors  take on dozens of roles as characters or in the  chorus to keep the story at its rapid pace,  condensing events spanning almost five centuries into 100 minutes.   Orlando (Mary Myers) is  ever the aristocrat whether as a page in the court of  Queen Elizabeth I (Alan Naylor)...
From EUGENE ONEGIN  to  DER ROSENKAVALIER  (Or Everything you want to know about love is at the MET OPERA) Great music and great literature meet on a great stage at the Met Opera’s production of Eugene Onegin on the big screen on April 25, 2017.  The words are Pushkin’s from his  Russian novel-poem.  The music is by Tchaikovsky  for what he termed “lyrical scenes.” Tchaikovsky’s music is forever embedded in our consciousness  with his fantasy ballets like  Nutcracker   and Swan Lake .   Pushkin’s work has provided the inspiration for dozens of musical works, including another famous Russian opera, Boris Godunov.     This team of Tchaikovsky and Pushkin is a sure thing but while there are many scholarly interpretations of Pushkin’s work, there is none that so gets it at its core as this opera. Using the very words from Pushkin’s poem,  Tchaikovsky built the opera through a series of powerful co...